We sat at table on the lotus-eating veranda, served by the butterfly maids, and ate strange foods and partook of a nectar called poi. But the dream threatened to dissolve. It shimmered and trembled like an iridescent bubble about to break. I was just glancing out at the green grass and stately trees and blossoms of hibiscus, when suddenly I felt the table move. The table, and the Madonna across from me, and the veranda of the lotus-eaters, the scarlet hibiscus, the greensward and the trees—all lifted and tilted before my eyes, and heaved and sank down into the trough of a monstrous sea. I gripped my chair convulsively and held on. I had a feeling that I was holding on to the dream as well as the chair. I should not have been surprised had the sea rushed in and drowned all that fairyland and had I found myself at the wheel of the Snark just looking up casually from the study of logarithms. But the dream persisted. I looked covertly at the Madonna and her husband. They evidenced no perturbation. The dishes had not moved upon the table. The hibiscus and trees and grass were still there. Nothing had changed. I partook of more nectar, and the dream was more real than ever. Kai-kai is the Polynesian for food, meat, eating, and to eat: but it would be hard to say whether it was introduced into Melanesia by the sandalwood traders or by the Polynesian westward drift. Walk about is a quaint phrase. Thus, if one orders a Solomon sailor to put a tackle on a boom, he will suggest, “That fella boom he walk about too much.” And if the said sailor asks for shore liberty, he will state that it is his desire to walk about. Or if said sailor be seasick, he will explain his condition by stating, “Belly belong me walk about too much.”!

Gammon is to lie, to exaggerate, to joke. Mary is a woman. Any woman is a Mary. All women are Marys. Doubtlessly the first dim white adventurer whimsically called a native woman Mary, and of similar birth must have been many other words in bêche de mer. The white men were all seamen, and so capsize and sing out were introduced into the lingo. One would not tell a Melanesian cook to empty the dish-water, but he would tell him to capsize it. To sing out is to cry loudly, to call out, or merely to speak. Sing-sing is a song. The native Christian does not think of God calling for Adam in the Garden of Eden; in the native’s mind, God sings out for Adam. The scenery between Vieiras’s (where the Kaupo Gap empties into the sea) and Lana, which we covered in half a day, is well worth a week or month; but, wildly beautiful as it is, it becomes pale and small in comparison with the wonderland that lies beyond the rubber plantations between Hana and the Honomanu Gulch. Two days were required to cover this marvellous stretch, which lies on the windward side of Haleakala. The people who dwell there call it the “ditch country,” an unprepossessing name, but it has no other. Nobody else ever comes there. Nobody else knows anything about it. With the exception of a handful of men, whom business has brought there, nobody has heard of the ditch country of Maui. Now a ditch is a ditch, assumably muddy, and usually traversing uninteresting and monotonous landscapes. But the Nahiku Ditch is not an ordinary ditch. The windward side of Haleakala is serried by a thousand precipitous gorges, down which rush as many torrents, each torrent of which achieves a score of cascades and waterfalls before it reaches the sea. More rain comes down here than in any other region in the world. In 1904 the year’s downpour was four hundred and twenty inches. Water means sugar, and sugar is the backbone of the territory of Hawaii, wherefore the Nahiku Ditch, which is not a ditch, but a chain of tunnels. The water travels underground, appearing only at intervals to leap a gorge, travelling high in the air on a giddy flume and plunging into and through the opposing mountain. This magnificent waterway is called a “ditch,” and with equal appropriateness can Cleopatra’s barge be called a box-car.

And the time continued to go by. One thing was becoming apparent, namely, that it was impossible to finish the Snark in San Francisco. She had been so long in the building that she was beginning to break down and wear out. In fact, she had reached the stage where she was breaking down faster than she could be repaired. She had become a joke. Nobody took her seriously; least of all the men who worked on her. I said we would sail just as she was and finish building her in Honolulu. Promptly she sprang a leak that had to be attended to before we could sail. I started her for the boat-ways. Before she got to them she was caught between two huge barges and received a vigorous crushing. We got her on the ways, and, part way along, the ways spread and dropped her through, stern-first, into the mud. The jib and flying-jib bother me, and I wish they were in. She would make easier weather of it, and less risky weather likewise. The wind snorts, and stray raindrops pelt like birdshot. I shall certainly have to call all hands, I conclude; then conclude the next instant to hang on a little longer. Maybe this is the end of it, and I shall have called them for nothing. It is better to let them sleep. I hold the Snark down to her task, and from out of the darkness, at right angles, comes a deluge of rain accompanied by shrieking wind. Then everything eases except the blackness, and I rejoice in that I have not called the men. And half an hour later Felicite was installed in her house.